002 →Walking Walking Walking
2025.3
I paired these texts with footage I filmed—waves, skies, and elements of nature. The sea, in particular, became a visual metaphor for emotion: vast, quiet, and forceful. Through live reading and projection, I experienced the unique energy that emerges when voice, image, and body interact in space. It allowed me to connect with the audience not just through words, but through presence and atmosphere.
I explored how to merge writing with multimedia and learned from the stage environments created by others. This work not only as poetic but spatial—something that blurs the lines between theatre, installation, and poetry.
这是一个关于诗、影像与观看空间的沉静演出项目，围绕个体情感的剖析展开。但在研究与思考中逐渐意识到：在传统戏剧中，文本不仅是沟通的工具，更是承载情感、沉默与心理细节的容器。我开始尝试用诗意语言描绘内心风景，而非讲述线性叙事。
我将这些片段与自己拍摄的影像——海浪、天空与自然图景相结合，尤其是大海，成为情绪流动的隐喻：广阔、安静却充满力量。通过现场朗读与影像投影，我感受到当声音、图像与身体在舞台上相遇时，所迸发出的独特能量。这种方式让我不仅通过语言，也通过节奏、呼吸与氛围与观众建立联系。
我意识到，写作本身可以是一种具象的空间实践，一种游走于剧场、装置与诗之间的边界行为。
"Walking, Walking, Walking"
Around the yard,
Around the wasteland,
Around the giant tree.
That tree I saw when I was a child.
I don’t know where the path will lead,
but the wind keeps pushing me forward from behind.
My shadow walks ahead,
it hurries more than I do,
but it cannot see itself.
Sometimes, I cannot see myself either,
only the echoes of memories,
of the small child I used to be.
What you are, you do not see.
What you see is only your shadow.
Draw the emotions,
allow them to linger.
Do you see it?
That little space,
the nostalgia I placed in the corner.
Take me back once again
to that belonging space.
Walking, walking, walking.
How do I get there?
Walking, walking, walking.
Through space and color, the boundaries between internal perception and external reality are blurred and redefined.