005 →Nature
2023-2024
This project is a black-and-white film documentation of time, space, and stillness. I have always found deep comfort in nature—it heals, expands my perception, and offers moments of quiet reflection. In times of emotional turbulence or solitude, I often turn to the outdoors, where the landscape becomes a mirror for inner states.
Whenever I go out, I bring my analog camera with me. There is something meditative in the slowness of shooting on film—the deliberate framing, the anticipation of not knowing exactly how the image will turn out. I focus on capturing the subtle, often overlooked beauty of British nature: open skies, bare branches, soft light, and quiet fields. The trees, especially, have become central to my work. Their branches stretch outward like veins of memory, bearing the marks of passing time and carrying the quiet weight of seasonal change.
Through this ongoing series, I seek to hold on to transient moments—to create a space where time lingers just a little longer. These images are about the slow, continuous rhythm of life itself. For me, photography is a way of pausing, observing, and preserving the quiet poetry of the everyday.
这是关于时间、空间与静止状态的黑白胶片影像记录。大自然一直给予我疗愈的力量，它拓宽了我的感知，也带来了内在的宁静与反思。在情绪动荡或孤独时，我常常走进大自然，风景仿佛映照着我内心的状态。
拍摄的缓慢节奏本身就是一种思考：构图的慎重、不确定的等待，以及对影像的期待。我专注于捕捉英国自然中那些细腻而常被忽略的瞬间——广阔的天空、光秃的树枝、柔和的光线与寂静的田野。树木尤其成为我作品的核心拍摄的对象，它们像记忆的脉络一般延展，承载着时间的痕迹与季节的更替。
通过这一系列作品，我试图留住那些稍纵即逝的时刻，在影像中为时间创造一个短暂驻足的空间。这些照片是对生活缓慢节奏的观察与珍藏。对我而言，摄影是一种暂停与凝视的方式，是对日常诗意的温柔保存。
What lies beneath black-and-white film is the silent preservation of time.